DESCRIPTION: This is a 6-unit seminar for doctoral students, also offered at the 500-level as a 4-unit course open to a very limited number of master's level students by special permission. The seminar will read Dante's Divine Comedy and explore its relation to fourteenth- and fifteenth-century art and theology. Student preparation and discussion will focus critical attention on the themes and characteristics of Dante's work as an expression of the medieval figural imagination and its consequent understanding of theology.

RELEVANCE FOR MINISTRY: The Divine Comedy is arguably the most important expression of the medieval worldview and an important influence on subsequent art and even theology. Its influence and importance continues to this day not only in the Catholic tradition, but, in the current aesthetic renaissance, in the Protestant world as well. The Comedy stands as a monument of integration between deep theological truth, the believer's spiritual life, and the larger movements of history and culture.

COURSE FORMAT: The seminar will meet weekly for three-hour sessions. Each week students will read sections of the Comedy. After discussion of that section students (perhaps a doctoral student paired with a master's level student) will consider a text from that section of the Comedy in its relation to some theological theme or work (or works) of visual art.

REQUIRED READING:

Dante Alighieri. The Inferno; Purgatorio; Paradiso. Trans. Allen Mandelbaum. Knopf, 1995.
(Or in the 3-volume bilingual edition published in Bantam paperback.)

Hawkins, Peter S. Dante's Testaments: Essays in Scriptural Imagination. Stanford University Press, 1999.

Jacoff, Rachel, ed. The Cambridge Companion to Dante. Cambridge University Press, 1995.

Auerbach, Eric. Mimesis: The Representation of Reality in Western Literature. Princeton University Press, 1953.

Barolini, Teodolinda, and H. Wayne Storey. Dante for the New Millennium. Fordham University Press, 2003.

Cook, W., and R. Herzman. The Medieval World View: An Introduction. Oxford University Press, 2003.

Dante Alighieri. Vita Nuova. Trans. Mark Musa. Indiana University Press 1973.

Hawkins, Peter S. Dante: A Brief History. Blackwell Publishing, 2006.

Lewis, R. W. B. Dante. Lipper/Viking, 2000.

Reiss, Jonathan B. The Renaissance Anti-Christ: Luca Signorelli's Orvieto Frescoes. Princeton University Press, 1995.

Turner, Victor, and Edith Turner. Image and Pilgrimage in Christian Culture: Anthropological Perspectives. Columbia University Press, 1978.