Winter 2007/Pasadena
TC862/562
Dyrness
TC862/562: DANTE'S DIVINE COMEDY IN THE CONTEXT OF MEDIEVAL ART AND THEOLOGY.
William Dyrness.
DESCRIPTION: This doctoral seminar, open to a very limited number of master's
level students by special permission, will read Dante's Divine Comedy
and explore its relation to fourteenth and fifteenth century art and theology.
Student preparation and discussion will focus critical attention on the themes
and characteristics of Dante's work as an expression of the medieval figural
imagination and its consequent understanding of theology.
RELEVANCE FOR MINISTRY: The Divine Comedy is arguably the most
important expression of the medieval worldview and an important influence on
subsequent art and even theology. Its influence and importance continues to
this day not only in the Catholic tradition, but, in the current aesthetic
renaissance, in the Protestant world as well. The Comedy stands as a
monument of integration between deep theological truth, the believer's
spiritual life and the larger movements of history and culture.
COURSE FORMAT: The seminar will meet weekly for three-hour sessions. Each week
students will read sections of the Comedy. After discussion of that
section students (perhaps a doctoral student paired with a master's level
student) will consider a text from that section of the Comedy in its
relation to some theological theme or work (or works) of visual art.
REQUIRED READING:
- Dante Alighieri. The Inferno; Purgatorio; Paradiso. Trans.
Allen Mandelbaum. Knopf, 1995.
- Hawkins, Peter S. Dante's Testaments: Essays in Scriptural
Imagination. Stanford University Press, 1999.
- Jacoff, Rachel, ed. The Cambridge Companion to Dante. Cambridge
University Press, 1995.
RECOMMENDED READING:
- Auerbach, Eric. Mimesis: The Representation of Reality in
Western Literature. Princeton University Press, 1953.
- Barolini, Teodolinda and H. Wayne Storey. Dante for the New
Millennium. New York: Fordham University Press, 2003.
- Cook, W. and R. Herzman. The Medieval World View: An Introduction.
Oxford University Press, 2003.
- Lewis, R. W. B. Dante. Lipper/Viking, 2000.
- Reiss, Jonathan B. The Renaissance Anti-Christ: Luca Signorelli's
Orvieto Frescoes. Princeton University Press, 1995.
- Turner, Victor and Edith Turner. Image and Pilgrimage in Christian
Culture: Anthropological Perspectives. Columbia University Press,
1978.
ASSIGNMENTS: In addition to reading the Comedy and taking part in the
weekly discussions, students will be required to write a research paper on a
portion of the Comedy in relation to a theme in medieval art or
theology. The length of master's level students' papers will be appropriately
adjusted from that required of doctoral students.
PREREQUISITES: For master's level students: written permission of the
professor.
RELATIONSHIP TO CURRICULUM: Elective.
FINAL EXAMINATION: None.