Winter 2005/Pasadena
TC516
Dyrness
TC516: THEOLOGY AND ART. William Dyrness.
DESCRIPTION:
- This course is an introduction to Christian reflection on the
visual arts. Emphasis will be on developing a Christian perspective on the arts
and aesthetics, that is informed by biblical, historical and theological
resources and that is familiar with ways the major Christian traditions have
made use of the arts. By slides and museum visits, students will be exposed to
significant examples of western art as a way of developing a critical
appreciation and a Christian appropriation of this dimension of life--both as
spirituality and as witness.
RELEVANCE FOR MINISTRY:
- It is becoming increasingly obvious that a relevant witness to the
gospel demands a cultural literacy. This is important for Christians to
understand their own faith, and the cultural influences on it, but also for
them to understand the world of others. Since the visual arts inform (and are
informed by) the dominant values of a culture, they provide essential
components in developing the theory and practice of ministry.
COURSE FORMAT:
- The course will include lecture and discussion that seeks to give
students a basic understanding of biblical, historical and theological issues.
Slides and visits will present examples of great Christian art in order to
develop skills of visual literacy. Class will meet weekly for three-hour
sessions.
REQUIRED READING:
- Dyrness, William. Visual Faith: Art, Theology and Worship in
Dialogue. Baker, 2001.
- Rookmaaker, H. R. Modern Art and the Death of a Culture. Apollos,
1994 [orig. 1971].
- Zelensky, Elizabeth and Lela Gilbert. Windows to Heaven: Introducing
Icons to Protestants and Catholics. Baker/Brazos, 2004.
- Course reader.
RECOMMENDED READING:
- Begbie, Jeremy. Voicing Creation's Praise: Toward a Theology of
the Arts. Blackwell, 1991 (2001).
- Bouchard, Margaret. A Journey Toward Christian Art. Fortress,
1999.
- Evdokimov, Paul. The Art of the Icon: A Theology of Beauty. Oakwood,
1986.
- Dyrness, William. Rouault: A Vision of Suffering and Salvation.
Eerdmans, 1971.
- Hofstadter, Albert and Richard Kuhns, eds. Philosophies of Art and
Beauty: Selected Readings in Aesthetics from Plato to Heidegger. University
of Chicago, 1976.
- Rookmaaker, H. R. The Creative Gift: Essays on Art and the Christian
Life. Crossways, 1981.
- Scarry, Elaine. On Beauty and Being Just. Princeton, 1999.
- Seerveld, Calvin. Rainbows for the Fallen World. Tuppence, 1980.
- Viladescau, R. Theology & the Arts: Encountering God through Music,
Art & Rhetoric. Paulist, 2000.
- Walford, E. John. Great Themes in Art. Prentice-Hall, 2000.
- Wolterstorff, Nicholas. Art in Action. Eerdmans, 1980.
ASSIGNMENTS:
- The course grade will depend on three elements. First, a 4-5 page
review of a work of art (or comparison of 2 works) either from an art book (see
recommended reading) or an art exhibition or museum, interacting with the work
from the Christian perspective developed in the first part of the course (20%
of grade). Two longer papers (8-10 pp., each worth 40%) will focus on (1) the
art of a particular religious tradition and (2) a particular artist or art
movement.
PREREQUISITES: None.
RELATIONSHIP TO CURRICULUM:
- M.Div./ M.A. in Theology and Arts, core; meets the M.A.C.L. in
Integrative Studies requirement for an interdisciplinary course (IDPL).
FINAL EXAMINATION: None.