DESCRIPTION:

This course examines various facets of Western classical music, connecting these features with the individual and corporate experience of Christian spirituality. Basic components of theology and the experience of the Holy as the universal source of art will be explored in particular examples of vocal and instrumental music from the eighteenth and nineteenth centuries. This exploration will be conducted from personal and biblical perspectives.

Western Classical music possesses a distinct ability to inspire the spiritual quest and formation of Christians from all strata of society. An examination of this art can assist students in opening themselves to a new manifestation of the Holy Spirit's presence in both their individual faith experience and in communal worship with other believers.

The course will consist of a mixture of lecture, listening to musical demonstration (live performance by the instructor as well as repertoire on compact discs) and interaction between students and instructor. Practical musical expertise is not required.

L'Engle Madeleine. Walking on Water. Wheaton: Harold Shaw Publishers, 1980.

Machlis, Joseph and Kristine Forney. The Enjoyment of Music, Shorter Version. New York: W. W. Norton, 1995.

Murdoch, Iris. Metaphysics as a Guide to Morals. New York: Allen Lane-The Penguin Press, 1992. Chapter 7, "Derrida and Structuralism."

Steiner, George. Real Presences. Chicago: The University of Chicago Press, 1989.

Detailed listening (at least 10 hours) to a tape of classical music to be provided by the instructor.

The course grade will be based upon class attendance and participation; a journal kept by the students on the required reading of the course and its connection to music; and a 5-10 page typed report on required listening material from the classical repertoire.

None.

Meets interdisciplinary core course requirement for M.A.C.L.; meets ministry division requirement in spirituality (SPIR) for M.A.T.--General Format.

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