Fall 2010/Pasadena
TC581
Taylor

TC581: WORSHIP, THEOLOGY AND THE ARTS TOUCHSTONE. Barry Taylor.


DESCRIPTION: This course is the introductory course for all students entering the Worship, Theology and the Arts (WTA) concentrations in the Master's level. This course introduces the students in the WTA concentration to the methodology that will under gird their theological study of Christian worship, along with narrative, performing and plastic arts. Beginning with Augustine's philosophy of language and learning as introduced and developed in De Magistro and De Doctrina Christina, and his assertion that all we have to communicate with are signs words and gestures, this course will explore methods of exegeting signs and gestures to supplement the exegesis of words. The course will be divided into modules, each one focusing on the application of this method to Christian worship and two art forms. One module will also focus on the topic of the Brehm Lectures which the students will be required to attend.

RELEVANCE FOR MINISTRY: St. Francis of Assisi famously stated that one should proclaim the Gospel at all times, and if necessary use words. This course will introduce the student to ministry resources that are non-verbal and can be seen as complements to verbal proclamation of the Gospel. In a world which is becoming increasingly comfortable with symbolic and indirect communication, this course invites the student to consider the various ways the Gospel can be proclaimed in symbolic and indirect ways, and the strengths and limits of these forms of communication.

LEARNING OUTCOMES: A student successfully completing this course will (1) articulate the application of Augustine's theory of communication to worship and the arts; (2) describe in general terms the history and theology of the arts in relation to the Christian faith; (3) describe in general terms the history and theology of Christian worship in relation to the arts; (4) apply the hermeneutic model of interpretation to worship and the arts in a cursory way; (5) complete an in-depth application of this hermeneutic model to one particular artistic expression or element of Christian worship.

COURSE FORMAT: The class will meet weekly for three-hour sessions. It will have some lectures by the professor, discussions of course material and interaction and reflection on the experience of various art forms.. Students will be expected to attend the events surrounding the Brehm Lectures in their entirety and go on field trips with the class during class time (and possibly outside of class) to have common experience of various art forms.

REQUIRED READING:

Course Reader. 850pp.

Garcia-Rivera, Alejandro. A Wounded Innocence: Sketches for a Theology of Art. Liturgical Press, 2003. 150pp. ISBN: 978-0-8146-5112-4. Pub. price: $14.95.

Edmonds, Ben. Marvin Gaye: What's Going On and the Last Days of the Motown Sound. Cannongate, 2001. 160pp. ISBN: 9781841953144. Pub. price: $12.69.

Muir, Edward. Ritual in Early Modern Europe. 2nd ed. Cambridge University Press, 2005. 300pp. ISBN: 9780521602402. Pub. price: $32.99.

Siedell, Daniel. God in the Gallery: A Christian Embrace of Modern Art. Baker, 2008. 100pp. ISBN: 978-0-8010-3184-7. Pub. price: $25.00.

Strinati, Dominic. An Introduction to Studying Popular Culture. Routledge, London, 2000, 280pp. ISBN: 978-0-415-15767-4. Pub. price: $33.95

REQUIRED LISTENING:
Gaye, Marvin. What's Going On. Motown Records, 1971. 35 minutes.

ASSIGNMENTS AND ASSESSMENT: (1) Completion of assigned readings, reflection papers on readings, participation in our class discussions and attendance (20%). (2) Short synthesis papers, assessing various class experiences from the perspective of course readings and lectures (20%). (3) A final project approved by the professor in which the student demonstrates his or her knowledge of the methods introduced in the class by applying them to a specific art form or forms (60%).

PREREQUISITES: None.

RELATIONSHIP TO CURRICULUM: Required for all Worship, Theology and the Arts (WTA) master's level concentrations.

This ECD is a reliable guide to the course design but is subject to modification. (Revised November 2010)